Jackie Mclean　

Jackie McLean has long had his own sound, played slightly sharp and with great intensity; he is recognizable within two notes. McLean was one of the few bop-oriented players of the early ’50s ..more

Jakob Bro　

Jimmy Smith　

Jimmy Smith wasn’t the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and ..more

Joe Armon-jones　

Joe Henderson　

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-’60s, Joe Hender ..more

Joe Lovano / Marcin Wasilewski Trio　

Joe Pass　

Joe Pass did the near-impossible. He was able to play up-tempo versions of bop tunes such as Cherokee and How High the Moon unaccompanied on the guitar. Unlike Stanley Jordan, Pas ..more

John Coltrane　

Despite a relatively brief career (he first came to notice as a sideman at age 29 in 1955, formally launched a solo career at 33 in 1960, and was dead at 40 in 1967), saxophonist John Coltrane was ..more

John McLaughlin　

One of fusion’s most virtuosic guitar soloists, John McLaughlin placed his blazing speed in the service of a searching spiritual passion that has kept his music evolving and open to new influences. ..more

Joshua Redman　

Every few years it seems as if the jazz media go out of their way to hype one young artist, overpraising him to such an extent that it is easy to tear him down when the next season arrives. In the ..more

Julie London　

A sultry, smoky-voiced master of understatement, Julie London enjoyed considerable popularity during the cool era of the 1950s. London never had the range of Ella Fitzgerald or Sarah Vau ..more

Jiro Inagaki / Soul Media